Latest News

New Taiko Music Article: Sokobayashi

We’re happy to announce the release of a new article in the TaikoSource Taiko Music History series! In this article, we look at Tanaka Seiichi’s composition “Sokobayashi,” a staple of the San Francisco Taiko Dojo repertoire. We explore how the piece reflects Tanaka’s own influences but also the manner in … Continue reading

New Interview: Carrie Carter

We’re happy to release a new interview in our series! This time, we sat down with Carrie Carter of All Things Taiko. Carrie is one of the original members of Ohio’s premier taiko group, Icho Daiko, founded in 2004. She has also performed with Seattle Kokon Taiko, O • Daiko … Continue reading

New Interview: Ai Matsuda

We’re happy to release the latest in the TaikoSource interview series! This time, I spoke with Ai Matsuda. Born and raised in Japan before moving to Hawaii at the age of 16, Aichan has played with Hawaii Matsuri Taiko and the Kenny Endo Taiko Ensemble, and has studied with Grandmaster … Continue reading

New Interview: James Beale

We’re happy to announce the next in our Interview series! This time, Ben spoke with James Beale. Relocating from the UK to the United Arab Emirates in 2014, James founded Shoten Taiko in Dubai, the first Taiko group based locally in the Middle East. In this discussion, we talk about … Continue reading

New Interview: Jennifer Weir

We’re happy to announce the release of another TaikoSource interview! This time, Ben spoke with Jennifer Weir of TaikoArts Midwest! In our discussion, we talk about Jennifer’s background and performance history, where taiko fits into her own journey, and the path from Theater Mu to Mu Daiko to TaikoArts Midwest, … Continue reading

Featured Pages

Song Database

A database of taiko songs, including Copyleft compositions anyone can play

Articles

A collection of articles about the many facets of learning and playing taiko

Taiko Clipart

Free to Use taiko-themed art and photos

Group Map

A searchable map of taiko groups around the world
Documenting the past, present, and future of taiko performance